Thanks again to the organizers of the London Open Mic Poetry Night for recording each performance. My reading from this November is a trio of lovish, loveqsue poems. The third of these is forthcoming in a special issue of BafterC (spring 2016). The second is excerpted from a chapbook manuscript, Tower, which I’m very happy to announce has been adopted by Anstruther Press for release in the summer of 2016. The first poem’s not that bad.
Another video, this time from the June 3rd edition (and season closer) of the London Poetry Open Mic Night. My thanks again to the organizers and to videographer Sebastian Rydzewski.
At the beginning, I’m responding to an earlier reader who mentioned a line famously misattributed to Valéry: “A poem is never finished; it is only abandoned.” Open mic host Joan Clayton polled the crowd on whether they finish or abandon poems. I ‘think too much,’ so I abstained and then, in this video, point out that the line is a gloss of Valéry from Auden’s Collected Poems foreword.
Valéry wrote roughly this: “A work is never completed except by some accident such as weariness, satisfaction, the need to deliver, or death: for, in relation to who or what is making it, it can only be one stage in a series of inner transformations.” Valéry’s examples of “accident” do suggest abandonment, but I prefer the ambiguity of “accident” itself. I like to think my poems exile me for causes beyond my control.
Here’s also Kelly Creighton reading “Day One” and, hilariously, refusing to parse it afterward. Unfortunately, this video’s audio dampens the hypnotism (which is Creighton’s forté), so have a drink first, I suppose, then watch it with your eyes closed.
Although I’ve only just glimpsed into the windows of London’s poetry community, I think it’s a testament to that community’s seriousness (and its generosity toward less acclaimed poets) that the organizers of the London Open Mic Poetry Night record each performance and post the videos online. My thanks to them.
Here’s me reading “Counting Half The World” on Feb 4th (with stuttering preamble). (Note I’m reading directly out of the Hart House Review’s Winter Supplement, where “CHTW” was published last month.)
It was an impressive night, so check out the other videos on the account–particularly Poetry London blogger Kevin Heslop‘s “On the difficulty of describing bill bissett”:
Current Western University Writer-in-Residence Gary Barwin was the evening’s featured reader, and his first poem, “inside,” got me thinking about political poetry (and the politics of the politics of literature, and the politics of aesthetic prescriptivism in the guise of anti-prescriptivism) in a way that informs an upcoming post of mine on the Town Crier. The video below is cued up to (just before) Barwin performing “inside.”